Adventures of Comcast Bonnie

Well, I guess I'm overdue for a new blog post eh? Been a little busy helping out all of you and preparing for my excursion to New York for the Shorty Awards. I'm sure you've all heard me talking about them on Twitter enough, so I'll spare you the story. I wanted to put up all of the photos and video in one place. Guess this is a good a place as any, eh? :)

That's me! OMG!

The SPEECH. You guys wrote this! :)

Makers Mark sponsored. A mighty fine hard cider!

O.M.G. IT'S GROVER!!!!!!!!!!!!

@Thinkgeek on the left, her boss, TIMMY, and GROVER!

And let's not forget our host for the evening, @ricksanchezcnn who assured me he did NOT pre-game before the awards ceremony. He had "been on a plane since 5 a.m.". Rick, it's ok. I won't tell :P

Now, remember guys. NONE OF THIS WOULD HAVE HAPPENED WITHOUT YOU! I can't stress enough how much of a pleasure it is to work with you and guide you through life's little cable troubles. Or talk about the odd and random. Or anything. It doesn't matter, because you all ROCK MY HELLO KITTY SOCKS!

I follow @MajorNelson to keep up with the latest Xbox news and cool stuff (not to mention I keep a keen eye out for service issues), and noticed he posted this AWESOME link to the new Xbox Engineering Blog. I read through the newest information about Netflix and Xbox, and noticed a fancypants section about Netflix and streaming.

I am reposting this section with permission from Xbox to shed some light about how this process works, and how Xbox is working to improve the experience for you! Also, I have to throw in the comment about us "throttling" Netflix to keep competition away. This simply isn't the case, and I think the snip from the article below will help clarify what's actually going on. Enjoy!

Special thanks to the Xbox Live Team for putting this up! Remember, the full blog can be reached here!

Streaming Video

Rebuffering
One of the major challenges of streaming video is adapting to changes in available bandwidth. In the first version of Netflix, we saw a number of users experience downgrades in their video quality, accompanied by the “Your Internet connection has slowed” message, shortly after starting playback. This was often due to an ISP boosting available bandwidth for brief periods of time in order to make individual downloads faster. Since we decide which quality level of the content your Internet connection can handle by measuring bandwidth at the very beginning of a download, this boost effect causes the client to believe there is more bandwidth than actually available. Accordingly, we picked a quality level whose bitrate was too high to sustain once the boost ended and the connection reverted to its typical bandwidth characteristics. This resulted in a rebuffering event, otherwise known as a “starvation.”

We’ve done a number of things in this release to reduce the frequency of starvations:

• We have switched to using Netflix’s new, more advanced VC-1 encodings when available. The VC-1 streams are much more efficient than their visually-comparable WMV9 counterparts. This allows us to better utilize available bandwidth by buffering more of the feature in less time.
• We have implemented something we are calling “Seamless Stream Switching.” In the past, a starvation meant having to wait while the app rebuffered a new stream. Now, we have the ability to detect a dip in bandwidth that would cause a starvation, and react before we actually starve. Instead of forcing you to wait while the speed test and buffering is redone, we can prepare the new stream behind the scenes while playing out the old one. See the next section for details on how it all works.
• Courtesy of Seamless Stream Switching, you can now switch up to a higher quality stream. Previously, you would always be locked in to the lower bitrate stream if your bandwidth had degraded during playback. Now, if your bandwidth improves sufficiently, your content bitrate could be upgraded as well.

(Mostly) Seamless Stream Switching
As mentioned above, we can now be proactive about switching to a new stream before a starvation occurs. Here’s some information on how the process works:

Like with the first version of Netflix, a quick speed test is done first to figure out what the Internet connection is capable of. Based on these results, a stream of an appropriate bitrate is chosen - one that should give you the highest video quality possible while still being likely to play back without interruptions (aka starvations).

Unlike the first version of Netflix, the client will continuously monitor the current streaming bandwidth and also the buffer level during playback. The buffer level is how much data has been read ahead from the network connection and buffered up in memory.

If the buffer level falls below a certain threshold–i.e., the buffer level falls into the starvation danger zone–then we start to get interested, algorithmically speaking. At this point, the client looks at several samples of bandwidth measurements to see how the Internet connection is performing, and we’ll also see if buffer levels have been declining. It might seem like a silly thing to do, but the reason we check the latter is that, directly after a seek or after playback starts, buffer levels could technically still be in the red zone; however, as long as they are still increasing, there should be no need for alarm. On the other hand, if buffer levels have been declining, and bandwidth measurements indicate that the client could be in danger of starving, then the client will initiate a switch downwards to a lower bitrate stream. More about that in a moment.

Now if, instead of falling, the buffer level actually rises above a certain threshold, then the client will look at several history samples of bandwidth measurements and see if the Internet connection really can take it to the next level. If so, then the client will initiate a switch up to a higher bitrate stream. Note: To avoid ping-ponging between higher and lower bitrate streams, a backoff period is enforced before switching up if there has been a previous switch down during the playback session. The backoff period increases substantially the more times a downward switch occurs. For example, suppose client starts out playing a piece of content at 2 quality bars, but then bandwidth drops and the client switches down to a lower bitrate stream. At this point, even if the connection improves to the point where the client could technically switch up again, the client will wait an additional period of time before allowing the switch to occur. If the client subsequently performs another switch down during that streaming session, then the backoff time before allowing an up-switch would be longer still. The basic idea is to avoid a cycle where fluctuations in connection bandwidth cause the client to continually vacillate between content quality levels.

Performing the Switch: The Seam
Once a stream switch is kicked off, several things happen. First, the client stops reading any data from the network for the old stream; it plays out whatever buffer has been accumulated for the old stream from here on out. Simultaneously, the newly-freed network resources immediately start grabbing data for the new stream. Once all the data from the old stream has been played, the client will hot-swap to the new stream.

Perhaps this is a good time to confess that it’s not completely accurate to call this process “Seamless Stream Switching.” As it turns out, there is a seam, but it’s very slight and consists of the screen below.

The graphic at the upper right shows you the quality level for the new stream you’ll be watching. You’ll see this screen very briefly (typically, for a second or less) during the switch over from old to new. During this time, the video pipeline is being reinitialized for the new stream. We’ve done as much of the work as we could ahead of time, but there are some things, like initializing the Direct3D device in accordance with the new video resolution, that need to happen right then. This process is fairly snappy but it’s not instantaneous, which is why this small delay exists.

Sometimes the client is unable to adequately buffer up the new stream before the buffer for the old stream runs out. This may happen, for example, if there was a sudden extreme drop in bandwidth or if the Internet connection is not capable of sustaining uninterrupted playback of the lowest bitrate stream. In these cases, you will unfortunately still have to wait to rebuffer while viewing the “Your Internet connection has slowed” starvation screen.

Streaming and Party Mode
The most important thing about the streaming experience in Party Mode is that the video stays in sync among people watching the content. We felt strongly that it would not be a great experience if your buddy laughed at a joke two seconds before you actually saw the funny part of the movie. Because we were optimizing for keeping everybody at the same place in the content, streaming in Party Mode behaves a little differently than streaming in solo mode:

• There is no Mostly Seamless Stream Switching in Party Mode. The seam during the switch, slight as it is, could be enough to throw synchronization off beyond the 500 millisecond threshold that we deemed our maximum allowed drift between participants.
• The headroom that we require for Party Mode playback is higher than for solo mode. For context, headroom is the amount of space required between your measured bandwidth and the selected content bitrate. In other words, for a Party Mode headroom value of say, 30% (hypothetically speaking), your measured bandwidth would need to be at least 1429 Kbps for us to select a 1000 Kbps content stream. This is Bandwidth * (1.0 – Headroom). Now, the reason why we require more headroom in Party Mode is because a starvation in Party Mode affects not only your user experience, but also that of everybody else in your party. When one person starves, everybody else in the party has to wait for that person to rebuffer to keep everyone in sync. We want to make sure that this is very unlikely to occur.

Inside Tips and Tricks for Tweaking Your Netflix Streaming Experience
Since you now know some details of how our streaming system works, there are a couple of things you can do to potentially make the system work better for you.

First off, if you absolutely hate Mostly Seamless Stream Switching, you can prevent us from using it by watching all your content in Party Mode. This works whether you watch by yourself or with others. All you have to do is start a Netflix party. If you choose to do this and don’t want to see your Avatar, then use the On-Screen display and use Display Mode to switch.

Secondly, if you have a spiky or otherwise unstable Internet connection, the Pause button is your best friend. Remember how I mentioned that the client will only consider switching down if 1) the buffer falls below a certain threshold, and 2) the buffer level had been decreasing over the last few seconds? Well, when playback is paused, we will continue to read data from the network, but the buffer can’t decrease since playback has been halted. Therefore, hitting the pause button right after playback starts and leaving the content paused for a short while (30 seconds, a minute or two, see what works best for you) is a cheap and easy way to force the buffer level to increase and potentially avoid a downward switch to a lower bitrate stream.

It's that wonderful time of year again where the leaves change colors, the temperature gets cooler, the cable goes out because of the sun... wait, what?

Yes folks, it's Sun Outage time. It happens a few times a year, and can seriously mess with your cable! Here's the low-down:

From Wikipedia, the free encyclopedia

So I get this email from John at Seesmic asking if he could pass along my info to a NYTimes reporter. I'm instantly skeptical because the press and us have a weird relationship. Once I found out that it wasn't about Comcast, that skepticism disappeared.

So this Paul guy emails me asking when we can chit chat and sends me a list of stuff to answer. He instantly found out how the A.D.D. affects me, when he got responses completely off topic. After some clarification, he got the right info :) We finally touched base on SUNDAY when I was at my parent's house in NJ (I wasn't in Delaware). After many failed attempts on skype and several calls to my parent's landline, we finally talked. We later learned all of those failed attempts were due to the mute button on his headset. Oops! Being at the parent's house made this even more "fun" as bets were getting tossed around for how long it would take him to call back again, and my dad making fun of me while he was interviewing me!

So, just a few minutes ago, I get a message from @bradonmoase saying he read the article. I had no idea Paul had finished it! Now I have to grab tomorrow's NYTimes :)

Check it out! I feel special or something warm and fuzzy like that.

New York Times Article about Tweeting


Wow. That's kinda crazy!